Solo exhibitions (selection):

Erosion, Simon Fraser University Gallery, Vancouver, Canada
Welt vor der Schwelle, Kunstverein Hildesheim, Hildesheim Germany
The passing of a Grain of Sand through a Sieve, Akademirommet, Oslo, Norway
Lettuce partially emerging from a shopping bag, Kunstverein Lingen, Germany
Norma,Ancient & Modern, London (with Eva Berendes)
Lettuce partially emerging from a shopping bag, Republic Gallery, Vancouver, Canada
Two films about pressure, Or Gallery, Vancouver, Canada
Welt vor der Schwelle, INCA Institute, Seattle, USA
World at the threshold, ARGE Kunst, Bolzano, Italy (C)
Analogue Stories, Fotogallerit, Oslo, Norway (with Melvin Moti)
Beton, Present Future, solo presentation, Artissima 17, Turin, Italy
Andreas Bunte, Kunstverein Bielefeld, Bielefeld, Germany (C)
Künstliche Paradiese, Galerie Ben Kaufmann, Berlin
Der Garten des M. Leretnac, Open Space, Art Cologne
Das Unsichtbare ist weder dunkel noch geheimnissvoll, es ist transparent
Galerie Jacky Strenz, Frankfurt am Main (with Nick Laessing)
Die letzten Tage der Gegenwart, Galerie Ben Kaufmann, Berlin
May the Circle Remain Unbroken, Adeline Morlon, Dusseldorf
Shelbourne Park Nights, Center, Berlin


Group exhibitions (selection):

A Visibility Matrix, Douglas Hyde Gallery in Dublin, curated by Sven Anderson and Gerard Byrne, Dublin, Ireland
(Anti)thesis of Architecture, Zarya Center for Contemporary Art, Vladivostok, Russia
Thick Space, Ruhr-Universität Bochum, curated by Mirjam Thomann and Karina Nimmerfall, Bochum, Germany
Skulptur Projekte Münster, Münster, Germany
Beton, Kunsthalle Wien, Austria
In Time (The Rhythm of the Workplace), Museum of Art and Design, New York
Traversing the Phantasm, 66th Berlinale / Forum Expanded, Akademie der Künste, Berlin
Bild und Anpassung, Kunstverein Waldkraiburg, Germany
Beyond Architecture, Kunstverein Aachen, Aachen, Germany
Vor Ort, Public Art Exhibition curated by Thomas Thiel, Kunstverein Bielefeld, Germany
Bild und Anpassung, Palais für aktuelle Kunst Glückstadt, Germany
The things we know, Henningsen Gallery, Copenhagen (curated by Tim Saltarelli)
Anguish&Enthusiasm, Cornerhouse, Manchester, England (curated by Sarah Perks & Declan Clarke)
Conversations électriques, Le Panacée, Montpellier, France (curated by Franck Bauchard)
Old School, Kunsthalle Kiel, Germay (curated by Anette Hüsch)
This must be the place, Kino_Kino, Sandnes, Norway
Le Dépays, part of Marrakech Biennale (curated by Nine Eglantine Yamamoto-Masson)
Sience Fiction 15, Or Gallery, Berlin/Vancouver (curated by Jonathan Middleton)
Regarding Düsseldorf 6, KIT, Düsseldorf (C)
Acts of Refusal, Tartu Art House, Tartu, Estonia (curated by Kathrin Meyer and Ellen Blumenstein) (C)
Bird’s Eye View Of..., Palais des Beaux-Arts, Charleroi, Belgium
End Note, Tanya Leighton Gallery, Berlin (curated by Robert Okuda Fitzpatrick)
Fischgrätenmelkstand, Temporäre Kunsthalle, Berlin (curated by John Bock) (C)
Andreas Bunte & Wolfgang Stehle, Tanzschule, Munich
I remain silent, Galerie Krinzinger, Vienna (C)
Independent (two person presentation with Galerie Ben Kaufmann), New York
100. Exhibition, Autocenter, Berlin
4th Biennial of Moving Image, Mechelen, Belgium (curated by Katerina Gregos) (C)
Report on Probability, Kunsthalle Basel, Basel (Adam Szymczyk)
Green light, Laura Bartlett Gallery, London
After October, Gallery TPW, Toronto, Canada (curated by Tim Saltarelli and Kathrin Meyer)
A letter Concerning Enthusiasm, ARGE Kunst Bolzano, Italy (curated by Luigi Fassi)
Reading the city, ev+a Limerick, Irland (curated by Yilmaz Dziewior and Angelika Nollert) (C)
Turning Points, Outpost Gallery, Norwich
Ankäufe der Sammlung Zeitgenössischer Kunst der Bundesrepublik Deutschland 1998 – 2008,
Martin Gropius-Bau, Berlin (C)
After October, Elisabeth Dee Gallery, New York (curated by Tim Saltarelli)
Wessen Geschichte, Kunstverein Hamburg, Germany (curated by Yilmaz Dziewior)
VideoKoop, KIT, Düsseldorf (curated by Julia Stoscheck) (C)